“ The act of writing for theatre is always a subtraction. This is a central paradox. The text is added in an effort to subtract. The actor must speak the text in a process of absenting himself. The text, the dialogue, must subtract those layers of identification with petrified shell of bourgeois identity. The actor speaking lines has to allow the speech to stay alive by staying ahead of himself, by sustaining that active margin of space linked to the dream. The actor has to forget his own dream life as he remembers the playwright’s forgetting. Everything in the theatre is in the process of self-dissolution. Writing always adds meanings, but they must at the same time be torn away. ”
— John Steppling/ LA Review of Books